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While this latter day sequel to The Karate Kid films of the 1980s started life on YouTube Red (remember that?), it’s really come into its own since moving to Netflix.
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(Confusingly, there's another show with the exact same title on Netflix, a 2019 Brazilian series following a trio of relief doctors in a village dominated by a cult leader-also worth a watch, but don't get them confused!) There's an English dub, but stick to the original Spanish with English subs for a better viewing experience.
While this could have been yet another formulaic entry in Netflix's expansive library of supernatural teen dramas (the Stranger Things vibe is particularly strong), the decision to shoot on film and in a 4:3 aspect ratio make this a visual delight, unlike almost anything else on the streamer at present. While the young boy would rather hang out with his friends, his life-and potentially the world-changes forever when he starts exhibiting miraculous powers, attracting dangerous attention from sinister forces. A lot could have gone wrong bringing One Piece to life, but this is a voyage well worth taking.īased on the comic American Jesus by writer Mark Millar ( Kick-Ass, Kingsman) and artist Peter Gross ( Lucifer), The Chosen One follows 12-year-old Jodie (Bobby Luhnow), raised in Mexico by his mother Sarah (Dianna Agron). Luffy, would-be King of the Pirates, bringing an almost elastic innate physicality to the role that brilliantly matches the characters rubber-based stretching powers, while the crew Luffy gathers over this first season-including swordsmaster Roronoa Zoro (Mackenyu), navigator and skilled thief Nami (Emily Rudd), sharpshooter Usopp (Jacob Romero Gibson), and martial artist chef Sanji (Taz Skylar)-all brilliantly embody their characters. The perfectly cast Iñaki Godoy stars as Monkey D. Despite fans’ fears, this spectacularly captures the charm, optimism, and glorious weirdness of Eiichiro Oda’s beloved manga, manifesting a fantasy world where people brandish outlandish powers and hunt for a legendary treasure in an Age of Piracy almost verbatim from the page. Mark one up for persistence: After numerous anime adaptations ranging from “awful” to “not too bad,” Netflix finally strikes gold with its live-action take on the global phenomenon One Piece. Rebirth’s format is unusual-45 minutes per episode, a rarity in anime-but it allows each episode to spotlight one of the signature enemy kaiju from the classic films in greater depth and pack in enough city-smashing action that you’ll be left asking "Godzilla who?" Set in 1989 Tokyo, this CG anime series follows youngsters Boco, Joe, and Junichi-and their bully Brody, an American whose parents work on a military base-as the world is besieged by hordes of monsters, with the barely understood force of nature that is Gamera the only thing that can stop them. Oh, and he’s also, canonically, “friend to all children.” It’s this latter point that serves as the basis for Gamera Rebirth, the first new project for the turtle titan in 17 years. He’s a giant, fire-breathing turtle with an impenetrable shell, one who can fly and become a flame-spewing, razor-edged, aerial spinning top of doom.
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While the latter has earned the epithet “King of the Monsters” and movie franchises in both its native Japan and the US, Gamera is perhaps best known as the subject of loving ridicule on Mystery Science Theater 3000. Gamera has never enjoyed the same respect that fellow kaiju Godzilla has. A far cry from the gag-a-minute approach of its creator’s earlier work, Disenchantment can be a bit of a slow burn at times, but with its drier comedy and rejection of an episodic status quo, it’s one of the most interesting adult animated comedies to come out of the US in years. With the aid of her personal demon, Luci, and a besotted elf bestie named Elfo, Bean flips the kingdom on its head, unearths ancient secrets, and battles her greatest enemy: her mom. “Would rather stay a drunken troublemaker” reluctant.
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Over the course of five seasons, it charts the journey of Princess Bean, who yearns to be free from her royal obligations to Dreamland, taking her from drunken troublemaker to reluctant hero. Go in with that expectation and you’ll be disappointed-this is a far more structured and arc-based show.
Coming from The Simpsons creator Matt Groening, it was presented in opposition to his later Futurama, lazily swapping sci-fi for fantasy. Netflix screwed up the pitch on Disenchantment.
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